DIO – Mali čarobnjak krotio zmajeve i oživljavao klasike grupa Rainbow i Black Sabbath (2002)
Lokacija: Graz / Orpheum Teater / Austrija
Datum: četvrtak, 19.09.2002
Pozornicu su otvorili Austrijanci Firestorm. Hmmmm, bila su mi u sebi dva ili tri piva (ne sjećam se više točno), a austrijska imitacija glam shock rocka, otvorenih jednostavnih rifova, odlično mi je legla. Zapravo je grupa, odjevena u sadomazohističku opravu s kontaktnim lećama svijetloplave boje u očima, isprva na pogled djelovala silno zlobno. Glazbom su me pravo iznenadili. Očekivao sam nekakvo “bljuvanje” umjesto pjevanja i skratka potpunu klaonicu. A upravo suprotno. Savršena obrada “Wild Boys” sada već legendarne grupe Duran Duran, čiji su članovi u prvoj polovici osamdesetih tinejdžerkama predstavljali prave inkarnacije prinčeva na bijelim konjima, nažalost je bila jedina pjesma u njihovu repertoaru koju sam poznavao. Vođa grupe je naravno imao glavnu riječ. Pjevao je glavni vokal i svirao glavnu gitaru. Solaže su obično dolazile na klasičnim izlazima iz pjesama, a dvije je ispalio i unutar komada. Dečko sa svojom gitarom modela Gibson Explorer nikako nije komplicirao solo točkama (čitaj: troprstno soliranje rokera iz šezdesetih) i tako se brinuo da udarnost ostane. Pjevao je visoko i na trenutke zaista slično jaukao kao neki Simon Le Bon (Duran Duran). Godio je pogled na djevojke u grupi. Prva, ritam gitaristica s modelom Gibson SG, bila je posebno živahna, doista neukroćena i stalno je poganjala pasivnu publiku neka se ipak malo “zatrese”. Druga, klavijaturistica, djelovala je malo tajanstvenije. I vjerojatno zato još više izazivala slinjenje. Ti, ti pokvarenjače, što mi sve roji po glavi. Svi članovi su se odlično iskazali u uigranosti grupe i pri izvođenju prateći vokala. Dakle, da Firestorm nisu nikakva šala dokazali su iznimno korektnim i zauzetim nastupom, što me šokiralo, jer od austrijskih domaćih grupa to zaista nisam navikao. Starije fizičke osobe – mislim na muškarce u “najvitalnijim” godinama (od 40 naviše), naravno su na Firestorm gunđale i stalno kukale. Osim jednog. Taj je bio pijan kao “marajna” i kad je vidio da samo Dejan i ja “poshejkavamo” u prvom redu u ritmu “muzike za ples”, počeo je krajnje dosađivati i vješati se po nama. Ne znam, očito stvarno imam peh, ali ako se u dvorani na koncertu nađe samo jedan težak, očito će se uvijek naći pored mene. Na Motorhead prije tri mjeseca u istoj dvorani jedan takav tip, koji je zbog alkoholnih supstanci naravno bio “tvrd k’o lješnjak”, hvatao me za genitalije dok je gurao u prvi red. Pola sata su Firestorm iskoristili koliko se dalo. Izazovno, nema što. Ali još će trebati brusiti i “ornk” pljunuti u ruke da bude tutnjalo na pozornici kako treba. Poželimo im svu sreću.
DIO:
Zatim su roadieji imali poprilično dug šou. Naravno boje se i u potpunosti poštuju autoritet njegove ekselencije Ronnieja Jamesa Dia, koji voli podivljati ako koji od zvučnika makar malo i nehotice prdne, kako ne bi smio. No, kroz gustu maglu i uz zvukove introa članovi grupe su se dokobacali na pozornicu. “Killing The Dragon”, odmah žmarci. Uf, taj rif!!! Dio, preda mnom je Dio! 60-godišnji muškarac, metarmuškarac, koji vrisne da nas izuje iz kože. I ovaj put je Dio bio Dio kao prije trideset godina. Odmah sam osjetio magiju između legende Jimmyja Baina (ex – Rainbow) i Ronnieja na pozornici. Dva dobra stara kompanjona među kojima nema tajni.
I još više. Doug Aldritch (ex-Bad Moon Rising, Burning Rain) naime. Kad su prešli ravno bez stanke dalje na “Egypt (the chains are on)”, poznatu klasiku s Diova prvijenca, s izlizanom Fender Stratocaster u rukama, mladić u kojem je zapisana vječnost stvaralaštva R. Blackmorea, J. Pagea, T. Iommija itd… Nisam mogao vjerovati. Kako je skinuo Iommijevu solažu u “Children Of The Sea”. Sviranje iz dna zdjelice (os sacrum). Preobrazio se u jedinstven medij. Dakle, čisti sirovi “feeling”. Najviše što ti glazbenik na pozornici može ponuditi (uz dobru set listu, a Diova set lista može biti loša samo u jednom slučaju. Ako bi je sastavio s dvije ploče: “Strange Highways” i “Angry Machines”, čega se pak nema bojati, jer skladbe s njih uporno ignorira).
Na redu je bio Simon Wright (ex-AC/DC) sa svojom solo točkom na bubnjevima. Uskoro se njegovu nabijanju pridružila poznata pratnja u pozadini iz opere “Carmina Burana” i Simon nije puno okolišao, nego je na bubnjevima premitraljirao INSERT iz opere. Eto, opet nešto drugačije. Bravo!
Da ne bismo zazijevali, Dio je nakon završenog Simonova solo udaranja zapalio publiku s “Ustaj i zavrišti!!!!” (“Stand Up And Shout”). Narod je podivljao. Dio sa karakterističnim gestama. Unikatno neponovljivo. Kad znaš da je Ronnie to što jest. Lik je bio u svom elementu i odašiljao je izvanredne vibracije. Stalno se rukovao s obožavateljima u prvom redu, svakome posebno je namijenio pogled i osmijeh. Bez ikakvog trunka oholosti. Ne kao većina pjevača, koji u sekundi preleti prvi red s “gimme five” foru i pritom uopće ne pogledaju prema mnoštvu. Koža mi se ježila, a Dio je nastavio s “Don’t Talk To Strangers”, kojoj je slijedila Rainbow klasika “Man On The Silver Mountain”.
Ipak, usprkos šoku za šokom koje smo prolazili uz izvanrednu set listu (madona, samo sam pomislio na to i već me oblila guščja koža)… Dougova solo točka naime. Tirkizna izmlaćena, izlizana, oljuštena stratokasterca bila je već samim pojavljivanjem na pozornici kreacija koja je nudila više nego samo komad drva sa šest žica i ugrađenim magnetima. I kad je Doug počeo… To je to. Proživljeno, potpuno proživljeno. Kad se čovjek i instrument slijevaju u jedno. Takvu solo točku ne pamtim. Ni Steve Vai, ni Victor Smolski, ni Y.J. Malmsteen… ma kakva školska glazbena “napiflanost”, to otpada. Tu nema mjesta za hladnoću. Strogo jednostavni iskonski osjećaji. Kako je dečko mijesio pull offe, prašio hammering unutar kvinti, šetao se arpeggiima po vratu i ukrašavao sve skupa kratkim rafalima brzo izmišljenih rifova i izvanrednog lickinga te vješanja po tremolu. Uz to je radio katarzične grimase, napućivao usta, a za kraj se ulegao na pod s gitarom i skoro uprizorio pravi seks s njom dok je izvabljao melodiju iz nje. Doug je bio u takvom efektu da je gitaru svom silinom zalučio natrag prema svom ozvučenju i pod podnožje Simonovih bubnjeva. “Na, dobila si svoje, koja je sljedeća na redu!?!?” Tooooo, devastacija do kraja!!!!
Nakon tog čarobnjaštva, Dio i kompanija nastavili su s oživljavanjem Rainbow (“Long Live Rock’n Roll”). Doug se tijekom solo točke ozlijedio, iza lijevog uha je krvario, a uz to je i ogrebao kožu na srednjem prstu lijeve ruke. No nije mario za to. Neukroćeno i do kraja podivljalo.
Pa dobro. Stanite malo dečki, mene će stvarno raznijeti. Pa su stvarno stali. Slijedile su dvije točke s albuma “Magica”, gdje je i Doug napokon mogao uhvatiti malo zraka. Nakon toga uslijedio je veliki finale. Ultimativna ludnica počela je jurećom čeličnom Black Sabbath ostavštinom “Mob Rules”. Iza nje je slijedila potpuna tišina, koju je prekinuo onaj poznati veličanstveni intro na klavijaturama, koji je najavljivao da se koncert polako primiče kraju. “Holy Diver”. Očito nešto nije štimalo. Dio je lijevicom lupao po svom bedru i nekoliko puta zamahnuo prema Simonu u smislu da neka ovaj ipak ubrza ritam, a Simon se nije dao “smetati”, zato se na Ronnieju moglo zamijetiti poprilično nezadovoljstva na licu. Je li Simon pred kraj nastupa posustao, u što jako sumnjam? Simonu u tom slučaju kakav kondicijski trening ne bi škodio, ili jednostavno nije bio pažljiv na Diove geste da neka poživi brzinu postojećeg ritma.
Pogodite što je Dio sačuvao za kraj? Slijedilo je nebo i…. pakao. Da!!! “Heaven And Hell”, kad se pozornica zavila u crninu a reflektor sa snopom crvenog svjetla odozdo osvjetljavao Diovo lice, tako da je Ronnie izgledao kao pravi đavo. Ahh taj grandiozni vječni rif i magija Iommijeva izuma, Doug opet proživljeno, po Tonyjevim stopama, Dio svom snagom još jednom zarjuče u mikrofon s Jimmyjem na svojoj desnoj (gledano prema pozornici), koji basom vodi predrefren. Ne, ne… nemoj da se ne završi! Da, samo iluzija. Glavni dio koncerta bio je gotov.
Dečki su se vratili i otvorili dodatak s “Last In Line”. Dio je opet bio nezadovoljan, što je vidljivo pokazivao gestikulacijama. Zvuk monitora nije bio pravi. Nastavili su s “Rainbow In The Dark”, gdje je Scott na klavijaturama napokon dobio uočljiviju ulogu. A to je bio kraj. Izostavili su klasiku “We Rock”. Zašto, nije trebalo dvaput pogađati. Zbog zvuka. Dio je bio bijesan. Iskreno, zvuk nije bio savršen, Diov vokal nije se dobro čuo zbog loše “štimunge” i Ronnieja je nažalost više puta prekrila Dougova gitara tijekom nastupa.
Ali kako god okreneš, samo legende dočaraju takvo ozračje, a zašto nisam mogao (htio, točnije) na Huhghes/Turner prije dva dana, madona, bijesan sam sam na sebe. To su ljudi kao dobro staro vino. Iskustvo, samopouzdanje, to je jednostavno osjećaj nepobjedivosti i vječnosti. To su ljudi koji su sve stvorili i koji i danas na pozornici doslovno ubijaju svojim nastupima, takvo visoko ambijentalno ozračje sposobni su dočarati. Toga je danas sve manje. Izvornosti, iskonskosti, davanja sirovih osjećaja.
autor: Aleš Podbrežnik
fotografije: Aleš Podbrežnik
English version(intie with Jimmy Bain included – scroll down the barr)
This is a very long report so I decided to divide it INTO a few chapters. I hope that you will be able to find the facts that you are most interested in without any problems.
1. PRE-CONCERT ACTIVITIES:
I was especially honored that day, HAVING a perfect view next to me on the back seat of our car. This is really rare, when my girlfriend decides to visit a gig. And Dio was the one she just couldn’t miss. We had a great time during our car drive to Graz talking about everything, but mostly about women. So the time passed quickly and suddenly we were in front of Orpheum. We had some problems with parking the car, so we made a few circles and finally succeeded in finding a cool place. At 6:30 p.m. we entered the Orpheum’s main gates and went directly for our tickets (35 Euro/person) and further on to spend our “change” on T-shirts. Merchandise was expensive as hell. The next logical move was to wait by the hall’s door that were still locked. At 7:30 p.m. we exploded through the main entrance and got our positions in the first row as usual.
2. CONCERT
2.1. Support act
The support group, Austrians Firestorm, came on stage at 8:00 p.m. Due to their sado-masochistic image and pale blue colour of their contact lenses, they looked very evil. I expected barking instead of singing, in other words a complete deicide. But my expectations were wrong this time. Firestorm are a good imitation of glam shock rock scene. Well, by that time I had two or three beers and I felt good. I really enjoyed group’s performance. Unfortunately everything that sounded familiar to me was a cover FROM Duran Duran (“Wild Boys”). It was perfectly figured out. Firestorm took things in their hands very seriously. They did it with enthusiasm and very precise. The leader of the band was playing lead guitar (Gibson Explorer model). His guitar solos were added mainly in fade outs, but two of them also found their place in middle sections of the songs. Plus that he performed lead vocals clean and high. But he has still a lot to practice on, I felt still a little lack of power here. Solos were easy structured and perfectly fitted INTO sound of the band as whole. GROUP of five members consisted of two girls. First was a rhythm guitarist using her Gibson SG model. She was very alive and untamed on stage, working very hard to warm up a very passive audience. The other girl took duty over keyboards. The band as whole also performed back vocals very well. Those half an hour was a proof that Firestorm aren’t a joke and that in I’m sure that we’ll hear a lot about this band in the future. I wish them good luck.
2.2. DIO
Roadies occupied the stage for quite a long time, giving us a real hard time while waiting for Dio to SHOW up. I understand their position. Ronnie is a professional. If one of monitors fart in a way it shouldn’t, Ronnie can go mad. So sound technicians have always plenty of work here. After I almost died of waiting, we could saw silhouettes on stage that was covered by fog. “Killing The Dragon”, yeah that riff. It began! Dio in front of me. Dio with 60 years in his pocket. A meterman that still kills with his shouts. The same shouts as they were 30 years ago. I felt the magic between two old friends Jimmy Bain (ex-Rainbow) and Ronnie (also ex-Rainbow). There are no secrets between those two guys. What a power voltage, but more was yet to follow.
Doug Aldritch (Burning Rain, ex-Bad Moon Rising) was guilty for that. After fade out of “Killing The Dragon”, the band continued their SHOW without pause with a classic song FROM Dio’s debut album (“Holy Diver”) “Egypt (the chains are on)”. Doug, with Fender Stratocaster, a youngster who carries all legacy of such maestros as R. Blackmoore, J. Page or T. Iommi are. I couldn’t believe my ears, when I heard how he did “Children Of The Sea” solo. If I closed my eyes for a moment, I would have thought that T. Iommi is on stage. I am talking about pure feeling here. Let us leave school knowledge beside. You won’t find rational coldness here, but pure emotional burnt offerings. Doug turned INTO a mediator and just let his feelings to express through soulful performance.
Simon’s turn was soon to follow. Simon Wright (ex-AC/DC) performed his drum solo through Carmina Burana main motive in the background. He perforated that motive with great rollings during his jam session. It was a new, different approach, I’m not used to anticipate. An interesting idea. How to make Carmina Burana sound even more ambiental and powerful, both at the same time. Now, can you imagine Carmina Burana main motive driven in heavy metal riffing?
After Simon finished his drum solo, the band went on full with “Stand Up And Shout”. The crowd went mad. Dio with his unique gesticulations, his acting… He is he. Just a man expressing himself as we all should, without fear FROM any authorities. He is living his life. So his vibrations were really something special. I felt peace and love. He was giving his thanks to the crowd in the front row by shaking hands. Anytime he gave his hand to someone, he looked that person in the eyes and smiled. This is why I call such acts like Dio unrepeatable. Pure magic. Band continued with “Don’t Talk To Strangers” and Rainbow’s classic “Man On The Silver Mountain”.
We went through plenty of shocks so far but more was yet to follow. The next one was Doug’s solo on guitar. Again soulful. When guitar and man collide. Fantastic. It was just pure drive of fast “in mind” created riffs perfectly mixed with first class arpeggios blazing all over the guitar’s neck. Oouuuch, what fast hammering with great pull-offs added. Everything was brilliantly spiced with nice licks, using of tremolo and taping bridges incorporated. A best possible puzzle. Again Doug turned himself INTO mediator, giving us a chance to enjoy and see a phenomenon when pure feelings overdominate musical knowledge. I don’t remember a guitar solo that could be played with such great balls. Soulfully. Doug was so inspired and full of enthusiasm, that he wounded himself. He was bleeding out of his finger on his left hand and also under his left ear. But he didn’t care. At the end of his solo performance he put down his weapon, laid beside it, still drawing tunes out of it. When he finished his trick, he threw the guitar in front of Simon’s drum kit, completely sweaty. Devastation ’till the end!
After that magic, the band continued in bringing Rainbow spirit alive by performing “Long Live Rock’n’Roll”. O.K. guys, calm down a bit, I’m gonna explode. And they did. They’ve slowed down a little bit. Two pieces FROM “Magica” album followed, so Doug could relax a bit. But not for long. The ultimate breakdown arrived. It was an iron piece, a part of Dio’s Black Sabbath stuff “Mob Rules”. After that great silence swallowed the hall for a moment. Then very familiar sounds broke it. Intro of “Holy Diver”. When they came to the main riff, the beat was to slow. Dio immediately felt that, giving Simon a sign to speed up things a little bit. But Simon didn’t let himself to be disturbed and continued to play the piece in unchanged lower gear. Dio was very angry because of that. I saw that look on his face. But nevermind. We came to the last piece. This was the return of heaven… and hell. Dio’s face spotted with red light seemed like Lucifer’s one. This was in my opinion the highlight of the gig. Uf, that grandiose eternal riff invented by Iommi. Don’t let this end. Ah, unfortunately just a grand illusion. It was the end.
Guys returned for an encore. They began with “Last In Line”. During performance of “Last In Line” Dio showed some frustrations again. Sound wasn’t right. And after “Rainbow In The Dark” the band finished their gig. They’ve left out “We Rock” FROM their set list due to sound problems. During the entire SHOW Ronnie’s vocals were sometimes obscured by guitars. Sound was therefore, concerning the vocals, far FROM being perfect.
But anyway, these are legends that bring magic, an ambiental experience that is very rare to find nowadays on stage. They carry on all their self-consciousness, experiences and a feeling of being unbeatable. That makes them eternal. They are like good old wine. These guys are even today, with all their years, real killers on stage. Revealing the power of ideas, which derives out of pure primordial feelings.
3. POST-CONCERT ACTIVITIES:
At the end we had some more entertainment. We wanted autographs. Both, roadies and security guards lied to us. They tried to convince us that the band won’t SHOW up and that is better for us to go home. If we had believed just one of them, it would be a real disaster. First of the band, who joined us in front of backstage, was Doug. He was delighted to receive some good critics about his performance. “Dio can raise you in heaven or crush you down straight to hell! It depends how you co-operate with him. I’m very honored to work with him and I’m HAVING a big time right now!” Doug wasn’t affected by someone’s really untasty comment: “But Rainbow and Ritchie Blackmore are still the best!” Then Jimmy came out of the backstage. Totally cool person, always prepared for a discussion. When he was asked to bring some guitar picks, he replied: “Of course man, I’ll be back in the minute!” It lasted more than a minute for Jimmy to get back, but when he did, he brought with him a dozen guitar picks.
Then the biggest moment happened. Ronnie himself came out of backstage. Dressed in his dark brown leather jacket. As on his photos in early eighties Black Sabbath co-operation. My friend sworn himself before the concert that he will fall on his knees if we succeeded to get Dio’s autograph. And he really did it. He fell on his knees in front of Dio, saying: “Dio you are a God to me!” Dio was a little embarrassed, when thanking my friend. Roady, who took care of Dio’s personal security, the same liar, who tried to convince us to leave the place, ’cause band is not in the mood right now, said to my friend: “Relax please!” Was he thinking perhaps that we would eat Dio alive? Stupid. Dio was giving thanks to each one of us. He talked to everybody, asking our names, where are we coming FROM and similar things. As a good old friend. I didn’t feel any distance between him and us. I’m still shaking when thinking back.
What the hell? The same guy, Blackmore’s admirer, even asked Ronnie the same old stupid question: “Is there any possibility for Rainbow reunion?” Dio simply replied: “Yes, there is always a possibility!” So he answered him something or nothing, as a good and well experienced politician. Stupid answer on a stupid question. If you ask me, it would be a real pity for something like this to happen. Ritchie’s narrow minded ego isn’t worth all of Ronnie’s talents. If we only compare poetry that Dio is writing. Not to mention how Ritchie’s mind went worse due to his strange musical adventures with his Candice. Dio simply rules! Rainbow reunion, what a crazy idea to think of. They are a part of music history. Only Dio is worth of keeping alive the spirit of bands such as Elf, Rainbow or Black Sabbath (in their early eighties). He, he, he. We got autographs FROM all band’s members. We laughed to the security guards, who tried to get rid of us as soon as possible just to go home and to bed.
4. A LITTLE CHAT WITH JIMMY BAIN:
This is still not the end of this report. Meanwhile, when we were waiting for Ronnie to come out of backstage, Anja had a little conversation with Jimmy Bain. It was funny because she didn’t recognize him, and when she joined us, she simply explained that she talked to “one guy over there”. Jimmy was dressed in an anorak and old jeans after the gig. A completely different image FROM what we saw one hour ago on stage.
Jimmy: “Where do you come from?”
Anja: “From Slovenia, ex-Yugoslavia.” Jimmy: “On border with Hungary?”
Anja: “Yes, and Austria, Italy and Croatia also.”
Jimmy: “There were certain rumors that we’ll play in Croatia, but than something went wrong, and that tour date was canceled.”
Anja: “What a pity. Croatians are much warmer people than these Austrians.”
Jimmy: “Yes. Today when I was walking around Graz, people stared at me as if I landed down FROM Mars! Uf, very unpleasant looks, I really got a bad impression.” (Jimmy showed some frustrations.)
Anja: ” Yes, that sounds familiar.”
Jimmy: “So, are you going back to Slovenia now?”
Anja: “Yes, it is only two hours FROM here when driving with a car. I came here with those people over there.” (points finger onto us)
Jimmy: “I see, are they a family?”
Anja: “Aha!”
Jimmy: “I’m still fascinated. That kid (points on my friend’s son) sang all songs we performed today. Unbelievable. And his mum also!”
Jimmy: “Are in Slovenia all girls so pretty as you are?”
Anja (as a world champion of HAVING the greatest sense of sarcasm): “I don’t know any of them.”
Jimmy: “Don’t believe ya… I bet that you do!” (Jimmy shows her a bracelet made out of little ropes and asks her to bind that bracelet around his wrist)
Anja: “Where did you get this?”
Jimmy: “Today here in Graz, one guy FROM India sold me this thing. But please don’t bind it to strong.”
Jimmy: “Today the feeling wasn’t as good as usually. Stage was to high, we couldn’t communicate with the audience as we are used to. Yesterday we played in front of 2000 people in Vienna.” (meanwhile one guy stepped closer and observed both of them)
Jimmy: “Is this your guy?”
Anja: “Oh, no. He is over there. Do you see him, jumping full of enthusiasm around Ronnie carrying that green map, waiting for autographs?”
Than a guy who was obviously disabled came up to Jimmy. He was blind, and also HAVING psycho-motorical problems. It was also clear that he drank too much. So he was a real pain in the ass to all of us. Too aggressive. Jimmy had a real problem getting rid of him after giving him an autograph.
Jimmy: “I did a real stupid thing. I gave an autograph to a blind guy!”
Anja: “Who cares. It means a lot to him. He can hear you, feel vibrations, he knows that you’re not bluffing and that you are sincere. And that you are playing out of navel.
Jimmy: “Yes, we are playing FROM the heart, FROM that… whatever you said. This is everything I know. To play good.”
Jimmy (looking for a more relaxed theme): “How long are you with him?” (he thought about me, was I by coincidence Jimmy’s pain in the ass?)
Anja: “For a very long time.”
Jimmy: “Oh, I see. I’m married for a second time. I went through six years of marriage now, but I am in front of a new divorce.”
Jimmy gave two “Aftershow Party – Dio Tour 2002” permanent tickets to Anja and asked her to join the band on that evening. Well, after all, Jimmy failed to convince my girlfriend and luckily she is still here in Slovenia with me..
Well, I don’t remember so diverse things happening during a concert. Another fantastic experience. Pure entertainment. Dio obviously won’t give up. He is planing to record a new album entitled “Magica II” and that will be followed by another tour. We’ll see what the future brings. Life is so beautiful.
photos taken by: Aleš Podbrežnik
Setlist:
DIO:
01. Killing The Dragon
02. Egypt
03. Children Of The Sea
04. Push
05. Drum Solo (S. Wright)
06. Stand Up And Shout
07. Rock’n’Roll
08. Don’t Talk To Strangers
09. Man On The Silver Mountain
10. Guitar Solo (D. Aldritch)
11. Long Live Rock’n’Roll
12. Lord Of The Last Day
13. Fever Dreams
14. Mob Rules
15. Holy Diver
16. Heaven And Hell
—dodatak—
17. Last In Line
18. Rainbow In The Dark
19. We Rock (nije odsvirana)
